Though I've since decided to pursue that old dream of writing short stories and novels, I haven't forgotten about my screenwriting roots. in Film Studies and took three years of screenwriting, learning the nuts and bolts of storytelling-plot points, character arcs, beats-from the likes of Robert McKee and Syd Field, rather than Strunk and White. I've certainly been guilty of this oversight, having written two columns about mobile applications and practices for aspiring/established novelists. We pay a lot of attention to fiction writers here at LitReactor, with a few nods here and there to comic authors and playwrights, but we rarely discuss the art of screenwriting.
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